雨小說(shuō)讀后感6篇

時(shí)間:2023-05-02 作者:Kris 讀后感

讀后感最重要的還是感與讀的結(jié)合,讀后感也成了運(yùn)用率最高的文體之一,讀后感的寫(xiě)作類似于議論文,寫(xiě)一篇讀后感可以讓我們的讀書(shū)變得更有價(jià)值,下面是范文社小編為您分享的雨小說(shuō)讀后感6篇,感謝您的參閱。

雨小說(shuō)讀后感6篇

雨小說(shuō)讀后感篇1

果戈里1809――1852,俄國(guó)作家。生于烏克蘭地主家庭,自幼熟悉鄉(xiāng)村生活,愛(ài)好戲劇。喜劇《欽差大臣》和長(zhǎng)篇小說(shuō)《死魂靈》為其代表作,諷刺農(nóng)奴制度下俄國(guó)停滯落后的社會(huì)生活,對(duì)俄國(guó)文學(xué)發(fā)展影響很大。

?死魂靈》這部長(zhǎng)篇小說(shuō),通過(guò)對(duì)形形色色的官僚、地主形象的真切生動(dòng)的描繪,有力的揭露了俄國(guó)專制統(tǒng)治和農(nóng)奴制度的吃人本質(zhì),它以深刻的思想內(nèi)容、鮮明的批判傾向和巨大的藝術(shù)力量成為俄國(guó)批判現(xiàn)實(shí)主義文學(xué)的奠基之作,是世界文學(xué)中諷刺作品的典范。

小說(shuō)描寫(xiě)了一個(gè)投機(jī)鉆營(yíng)的騙子―――六等文官奇奇科夫買(mǎi)賣(mài)死魂靈的故事。奇奇科夫來(lái)到某市,用一個(gè)星期的時(shí)間打通了自己與大小官員―――上至省長(zhǎng)下至市區(qū)規(guī)劃師的關(guān)系,而后去市郊向地主們收買(mǎi)已經(jīng)死去但未注銷戶口的農(nóng)奴,準(zhǔn)備把他們當(dāng)做活的農(nóng)奴抵押給監(jiān)管委員會(huì),騙取大筆押金。他走訪了一個(gè)又一個(gè)地主,經(jīng)過(guò)激烈的討價(jià)還價(jià),買(mǎi)到一大批死魂靈,當(dāng)他興高采烈地憑著早已打通的關(guān)系迅速辦好了法定的買(mǎi)賣(mài)手續(xù)后,其罪惡勾當(dāng)被人揭穿,檢察官竟被謠傳嚇?biāo)?,奇奇科夫只好匆忙逃走?/p>

在《死魂靈》一書(shū)中,作者把地主潑留希金寫(xiě)得最富有個(gè)性特征、最富典型意義的人物形象,是19世紀(jì)中葉俄國(guó)農(nóng)奴主的典型形象。

?死魂靈》第一部在1842年問(wèn)世,它的目標(biāo)是“從一側(cè)面來(lái)表現(xiàn)全俄羅斯”,作品的發(fā)表震撼了整個(gè)俄國(guó),也使果戈里躋身世界級(jí)經(jīng)典作家之林。由于果戈里的創(chuàng)造性勞動(dòng),小說(shuō)開(kāi)始在俄國(guó)文學(xué)中取得了支配的地位,他被公認(rèn)為俄羅斯小說(shuō)之父。

本書(shū)全方位地揭示了帝俄社會(huì)的腐敗和農(nóng)奴制沒(méi)落的真相。在書(shū)中,果戈里善于通過(guò)喜劇性的細(xì)節(jié)來(lái)折射現(xiàn)實(shí),對(duì)俄羅斯社會(huì)生活的本質(zhì)和俄羅斯心靈的真實(shí)狀態(tài)進(jìn)行了一次前所未有的剖析和觀照。

雨小說(shuō)讀后感篇2

我懷著無(wú)比興奮的心情讀了《海底兩萬(wàn)里》這部小說(shuō)。這部小說(shuō),給了我極大的震撼。它告訴了我許多我不了解的美麗島嶼;它讓我了康塞爾是何等的忠誠(chéng);還告訴了我許多我在課本上學(xué)不到的知識(shí)。作者在海底遨游,能看見(jiàn)許多珍貴的魚(yú)兒,又能經(jīng)歷許多希奇古怪的事,我好羨慕作者,但我有幸能看到這部著作,也算三生有幸。

就這樣,我懷著一種崇敬的心情,開(kāi)始和書(shū)中的主人翁探險(xiǎn)者博物學(xué)家阿尤那斯,乘坐鸚鵡螺號(hào)潛水艇,開(kāi)始他充滿傳奇色彩的海底之旅。鸚鵡螺號(hào)的主人尼摩船長(zhǎng)是個(gè)性格陰郁,知識(shí)淵博的人,他們一道周游了太平洋、印度洋、紅海、地中海、大西洋以及南極和北冰洋,遇見(jiàn)了許多罕見(jiàn)海底動(dòng)植物,還有海底洞穴、暗道和遺址,其中包括著名的沉沒(méi)城市亞特蘭蒂斯,這個(gè)擁有與希臘相當(dāng)?shù)臍v史文化的文明古國(guó)。書(shū)中都包容了大量的科學(xué),文化和地理,地質(zhì)學(xué)。阿尤那斯在航行中流露出他對(duì)尼摩船長(zhǎng)出類拔萃的才華與學(xué)識(shí)的欽佩。但在引人入勝的故事中,還同時(shí)告誡人們?cè)诳吹娇茖W(xué)技術(shù)造福人類的同時(shí),重視防止被壞人利用、危害人類自身危機(jī)的行為;提出要愛(ài)護(hù)海豹、鯨等海洋生物,譴責(zé)濫殺濫捕的觀念。這些至今仍然熱門(mén)的環(huán)保話題,早已在兩百年前就有先知者呼吁,可見(jiàn)留下有關(guān)人類正義更深層次的思考,才是此書(shū)讓讀者感受豐富多采的歷險(xiǎn)和涉取傳神知識(shí)后,啟發(fā)我們以心靈更大的收獲。

這本書(shū)的精妙之處還在于完全自然的知識(shí)啟迪,雖然書(shū)中講述了不少有關(guān)海洋的知識(shí),例如紅海一名是源于海中的一種名叫三棱藻的微小生物分泌的黏液造成海水顏色像血一樣紅。但是沒(méi)有任何一個(gè)在讀者接受起來(lái)十分刻意或困難的,只是一次旅行中的所見(jiàn)所聞罷了,這使人們對(duì)因景而生的各種想法和收獲都得以牢固的保存。

并不是每一本科幻小說(shuō)都像《海底兩萬(wàn)里》一樣富有強(qiáng)烈的可讀性,它作為一本不是憑空捏造而是遠(yuǎn)見(jiàn)加博學(xué)累積成的小說(shuō),不但為對(duì)海底知識(shí)了解不詳盡的讀者解讀了他們的旅程,更讓后人看到了古人的智慧與文明

在引人入勝的故事中,作者還同時(shí)告誡人們:在看到科學(xué)技術(shù)造福人類的同時(shí),也要重視防止被利用、危害人類自身危機(jī)的行為。儒勒.凡爾納提出要愛(ài)護(hù)海豹、鯨等海洋生物,譴責(zé)濫殺濫捕的觀念……面對(duì)這早在兩百年前的先知者的呼吁,我陷入了更深層次的思考:此書(shū)只是讓讀者感受豐富多彩的歷險(xiǎn)和涉取傳神知識(shí)嗎?不,它是在啟發(fā)我們,讓我們的心靈對(duì)自然科學(xué)有更大的收獲。

儒勒.凡爾納是在告訴我們:沒(méi)有做不到的,只有想不到的——只有當(dāng)時(shí)具備一定的科學(xué)背景,才可能有來(lái)源于現(xiàn)實(shí)或高于現(xiàn)實(shí)的想象,否則不是科幻只是空想;而如果連想象都沒(méi)有,沒(méi)有目的、沒(méi)有方向,更不可能有科學(xué)的進(jìn)步。

雨小說(shuō)讀后感篇3

每個(gè)人心目中的好書(shū)是不—樣的,我希望我們每個(gè)人都能找到自己喜愛(ài)的,有意義的好書(shū)?!端疂G傳》是—部非常經(jīng)典的中國(guó)名著,與它相媲美的還有《紅樓夢(mèng)》,《三國(guó)演義》,《西游記》,號(hào)稱"中國(guó)四大名著"?!端疂G傳》它真實(shí)地描寫(xiě)了宋代農(nóng)民起義,發(fā)展和失敗的全過(guò)程,揭露了封建社會(huì)的黑暗和腐朽,及統(tǒng)治階級(jí)的罪惡。它以杰出的藝術(shù)描寫(xiě)手段,揭示了中國(guó)封建社會(huì)中農(nóng)民起義的發(fā)生,發(fā)展和失敗過(guò)程的—些本質(zhì)方面,說(shuō)明造成農(nóng)民起義的根本原因是"官逼民反"。

?水滸傳》寫(xiě)英雄們走上反抗的道路,各有不同的原因和不同的情況,但是在逼上梁山這—點(diǎn)上,許多人是共同的。如阮氏三雄的造反是由于生活不下去,他們不滿官府的剝削,積極參加劫取"生辰綱"的行動(dòng),從而上了梁山。解珍,解寶是由于受地主的掠奪和迫害起而反抗的。魯智深是個(gè)軍官,他嫉惡如仇,好打不平,因此造成和官府的矛盾,結(jié)果被逼上山落草。武松出身城市貧民,為打抱不平和報(bào)殺兄之仇,屢遭陷害,終于造反,勇猛地向統(tǒng)治階級(jí)進(jìn)行沖擊。他是從血的教訓(xùn)中覺(jué)醒過(guò)來(lái)的。

水滸—百零八將,人物形象中令我記憶最深刻的是"智多星吳用"和"天孤星花和尚魯智深"。"智多星吳用"幾次獻(xiàn)策:吳用為晁蓋獻(xiàn)計(jì),智取生辰綱,用藥酒麻倒了青面獸楊志,奪了北京大名府梁中書(shū)送給蔡太師慶賀生辰的十萬(wàn)貫金銀珠寶;宋江在潯陽(yáng)樓念反詩(shī)被捉,和戴宗—起被押赴刑場(chǎng),快行斬時(shí),吳用用計(jì)劫了法場(chǎng),救了宋江,戴宗;宋江二打祝家莊失敗;第三次攻打祝家莊時(shí),吳用利用雙掌連環(huán)計(jì)攻克祝家莊。宋江鬧華州時(shí),吳用又出計(jì)借用宿太尉金鈴吊掛,救出了九紋龍史進(jìn),花和尚魯智深?!鷮页銎嬷\,屢建戰(zhàn)功。受招安被封為武勝軍承宣使。宋江,李逵被害后,吳用與花榮—同在宋江墳前上吊自殺,與宋江葬在—起。真不愧為"智多星"呀!"天孤星花和尚魯智深"是—位非常直率,暴烈如火,卻俠骨柔情,殺卻惡人為的是救窮苦人于水火的真漢子,英雄人物。他往往在人們面前表現(xiàn)出—副粗魯,野蠻。可他到了沖鋒陷陣的時(shí)候可毫不含糊,揮著62斤重的禪杖上陣殺敵。

讀了這本書(shū)我了解了中國(guó)古代的歷史,水滸英雄們的反抗精神和封建社會(huì)腐敗的—面。這的確是—本非常耐人尋味的—本書(shū)。

雨小說(shuō)讀后感篇4

活著或死亡都是一個(gè)年輕生命難以駕馭的題目。同樣是一本薄薄的讓我只用了一個(gè)下午就讀完了的書(shū)。巧的是讀了幾頁(yè)便發(fā)覺(jué)心這本書(shū)為背景的電視劇我竟看過(guò),這讓我更真切地體會(huì)到了這書(shū)的含義。

?活著》從一個(gè)旁聽(tīng)者的角度道出了一個(gè)普通人平凡而曲折的一生。主人公福貴生活在那個(gè)紛亂特殊的年代,經(jīng)歷了戰(zhàn)爭(zhēng),殺伐以及一系列動(dòng)蕩的生活,經(jīng)歷了家庭的興富到衰落,身邊人陸續(xù)的死去。在他們一生中,不知失去的多少東西,失去金錢(qián),失去親人,最后只剩下一頭瘦骨嶙峋又險(xiǎn)些被人宰割的老牛與他為伴。盡管是這樣,他還是友好地面對(duì)世界,一切傷痛的往事在他口中都變得那樣的平淡。也許當(dāng)我們的生命已將要走到盡頭的時(shí)候,回望以前的一切,才會(huì)做到安下心去對(duì)待,才會(huì)做到清醒的重新認(rèn)識(shí)所有的事。我想起陸幼青的死亡日記,那不也是站在生命的邊緣真正完全而清醒的對(duì)世人講述一切。

讀到家珍死去,這是我看到的所有生離死別中最寧?kù)o的一段,也是最真切的一段,想起阿朱死后喬峰抱著她的尸體的痛器失聲,想起陳家洛聽(tīng)聞心上人香消玉殞后流下的懦弱眼淚,想起莎翁著作中男女主角一次一次的撕心裂肺和悲痛欲絕,我想人活一生,總要承受這樣的擊,而多年之后,當(dāng)身邊的人一個(gè)個(gè)全都被歲月帶走了,那時(shí)的我們也許真的會(huì)選擇一種平靜,它是多年的感情磨合而成的,是滄桑的經(jīng)歷,澆鑄而成的。數(shù)十年后的我呢,我是否可以面對(duì)著一塘殘荷將過(guò)去的傷痛記憶娓娓道來(lái),我對(duì)自已的過(guò)去是否清楚地知道并且敢干面對(duì),我不敢說(shuō)。

這個(gè)世界的確不公平,有人可以享盡榮華,有人卻要像富貴一樣,面朝黃土背朝天,揮灑著血汗過(guò)完一生。面對(duì)這樣的不公,憎恨逃避都是徒勞,甚至我也說(shuō)不清到底該怎么做,我面對(duì)的是無(wú)法自由選擇生活方式的無(wú)奈和內(nèi)心與現(xiàn)實(shí)的強(qiáng)烈,盾,在這樣一個(gè)狀態(tài)下,我一面應(yīng)付著現(xiàn)實(shí)中的瑣碎,而在內(nèi)心尋求思想上的解脫,但不管怎樣,我始終希望自已能對(duì)世界友好,盡管天性中的倔強(qiáng)與后天形成的反叛也許會(huì)導(dǎo)致我走上叛逆的路。

生老病死,我們都得一樣一樣地過(guò),生命只不過(guò)是個(gè)過(guò)程罷了。我只是希望能按自已的意愿選擇一個(gè)方式,真實(shí)清醒并發(fā)自內(nèi)心的去實(shí)現(xiàn)它的價(jià)值,到了那一天,但愿我能帶著平靜的微笑向世界道個(gè)別,也對(duì)身邊的人說(shuō)聲再見(jiàn)。

雨小說(shuō)讀后感篇5

henry was born in greensboro, north carolina. his father, algemon sidney porter, was a physician. when william was three, his mother died, and he was raised by his parental grandmother and paternal aunt. william was an avid reader, but at the age of fifteen he left school and then worked in a drug store and on a texas ranch. he continued to houston, where he had a number of jobs, including that of bank clerk. after moving in 1882 to texas, he worked on a ranch in lasalle county for two years. in 1887 he married athol estes roach; they had one daughter and one son., he died in new york on june 5th 1910.

in this novel, there are many short ficition,every of them are worth reading,but the gift of the magi left me a deep impression is, i think this is a good article i have ever read, it is meaningful.

in this article, o.henry used his style of writing narrated a winding and simple story with humorous and a light sad, in western literary area this theme of presenting the gift in the christmas eve is so ordinary, some of them is wonderful, but i think the gift of the magi is the best one.

first, let’s looked from the content. the entire article took one pair of poorly love husbands and wives in american presenting the christmas gift as a middle line, the family housewife in order to save each coin, she count each one. even though, entire family only left one dollar and eighty-seven cents on christmas eve. the author did not describe much about the poor family, he used one dollar and eighty-seven cents to draw the whole novel, the housewife della who loves her husband deeply count the money three times, she cried sadly for she could not buy her husband an satisfactory gift. o.henry was good at using little words to make the sketch and build atmosphere, then the reader will lost in the article, tasting and pondering the character"s destiny. the gloomy atmosphere which was built by one dollar and eighty-seven cents through the whole novel, even when the couples saw gifts, it still contained a little pain. the author had written a poor husband"s and wife"s pain, also enlightens for the people let them obtain beautiful influencing and lead the reader’s interest to a deep boundary when he was describe the character’s thought disposition and plot. this is the true value of the gift of the magi.

in order to give her husband an exquisite watch chain, della sold her beautiful hair though his husband james loved it. james realized that della had worshipped long for the set of combs, side and back, in broadway window, he also sold his valuable watch which belonged his grandparents. della’s hair and james’ gold watch is the most precious property which in this poor family. in order to expresses the deep sincere love to the spouse, all of them had lost these two at the christmas eve. happiness in a twinkling had paid the expensive price, but following is the deep pain. after consider the true life ,o henry had screened the main plot carefully, made this ordinary theme bright again, gold watch and beautiful hair are the great wealth for the poor family which gain 20 dollar per week, this regret brought astringent feeling, caused each reader’s heart to tremble. this is condensing the real contradiction which the social real life is unable to solve multiplies really because of the writer deep style of writing, cause reader"s pitying with the sympathy, and lead them to a more profound ponder. for a while sentimental impulse della and james had extremely sacrificed most precious thing for each other. in those only money all-powerful societies, their gift can not regard as wisdom, they lost wealth, but they deepened the precious sincere love. in love and in wealth contradiction they have sacrificed the latter.

the novel revelation society reality does not depend on preaching, but depend on the development of character’s emotion. inspires the reader to touch, feels the character who have the tragedy color. in this society which money can buy love, psychology and sentiment appear the distortion, the sincere deep love between james and della has filled with writer’s idealism. o.hery oes not write the money to ruin love in this society, but wrote the artistic flavor in this gloomy lens, admired the intelligence of james and della, this is certainly unusual manpower pen, therefore, the work gives us is not depression and gloomy, but is the beautiful pursue and the attachment, thus lead the reader to the noble boundary.

processing novel ending, is o henry’s most creative contribution, also causes him enjoys the great reputation in american and in the world history of literature. he is good at designing plot theatrically, lays down the foreshadowing, finally appears a beyond expectation result in the ending which makes the reader to feel suddenly sees the light, joy after sorrow, also beside anticipation and in reason, strike the table and shout bravo.

henry is worth the world famous novelist, his excellent writing technique enabled his novel to have the title of o.henry.

i have read many kinds of article, before reading o.henry’s article, i liked detective book, but after reading this book, i knew short fiction is better, henry’s humors gave me a deep impression, it will never feel boring no matter how many times you have read.

雨小說(shuō)讀后感篇6

在古老的傳說(shuō)中,有一種職業(yè)是預(yù)言家,他們能預(yù)言未來(lái)將要發(fā)生的事情。而在現(xiàn)實(shí)生活中,也有一些類似預(yù)言家的人,例如《海底兩萬(wàn)里》作者儒勒。凡爾納。

當(dāng)時(shí)潛水艇根本沒(méi)有制造出來(lái),連影子也沒(méi)有,甚至連電燈都還沒(méi)有問(wèn)世,凡爾納卻用自己合情合理的想象,構(gòu)造了一個(gè)美麗的海底世界。也正是因?yàn)槠湎胂蟠蠖喽荚诂F(xiàn)在得到證實(shí),因此,他被譽(yù)為“科學(xué)時(shí)代的預(yù)言家”。

本書(shū)中對(duì)人物的描寫(xiě)十分細(xì)致,其中我最喜歡的就是作者對(duì)尼摩船長(zhǎng)的描寫(xiě),“身材高大,前額寬闊,鼻子筆直,嘴唇平正。”外貌描寫(xiě)讓讀者一開(kāi)始就對(duì)船長(zhǎng)留下了一個(gè)好印象。從后面的一系列描寫(xiě)中,我們還可以更加深入地認(rèn)識(shí)尼摩船長(zhǎng):帶領(lǐng)大家智斗鯊魚(yú)救采珠人,可以看出他的英勇頑強(qiáng),不畏艱險(xiǎn);當(dāng)祖國(guó)淪為殖民地時(shí),他搜集海底的金銀財(cái)寶,支持民族斗爭(zhēng),也可以看出他是一位具有正義感,反對(duì)一切壓迫的戰(zhàn)士。

尼摩船長(zhǎng)的形象就這樣,毫無(wú)保留地展現(xiàn)在讀者面前。

讀書(shū)貴有疑,作為一個(gè)讀者,我有這樣的疑惑:這本書(shū)只是一本單純的敘事書(shū)嗎?帶著這個(gè)疑問(wèn),我又重新走進(jìn)這本書(shū),發(fā)現(xiàn)了這書(shū)中蘊(yùn)含的諸多道理。在本書(shū)開(kāi)頭,阿龍納斯放棄回到故土,毅然決然地接受了美國(guó)政府的邀請(qǐng)去抓捕獨(dú)角鯨。不幸的,阿龍納斯等三人被抓獲,成為了“鸚鵡螺”號(hào)的俘虜。雖然在艇上,他們過(guò)著享受的生活,但他們沒(méi)有放棄逃出去的希望,于十個(gè)月后順利逃出,這說(shuō)明了什么?困難像彈簧,你弱他就強(qiáng)!只要我們心中有堅(jiān)定的信念,無(wú)論多大的困難,最后都會(huì)取得成功。

?海底兩萬(wàn)里》,你值得一讀!